The Number Five in the Animal Kingdom
from: Urzahl und Gebärde by Hugo Kükelhaus
This illustration, like the upper part of the preceding one, comes from Urzahl und Gebärde
by Hugo Kükelhaus. This book is not, strictly speaking, a book on
harmonics, since Kükelhaus hardly discusses the tone-ratios of the
numbers; but in his method of number observation he is completely in
the spirit of Pythagoras and Kepler, and much of the material in his
book contributes to a qualitative observation of numbers.
The
image shows sea creatures: sea urchins and a starfish. In the sea, the
“cradle of life,” the number five appears here morphologically in a
most pronounced and unequivocal manner, the foreshadowing of the five
fingers on the human hand, with which Creation takes hold of the world.
Paleontology has also proved that the ancestors of all mammals today
definitely had five toes, and that only through later specialization,
such as in the horse, was one discarded.
Kükelhaus writes of this picture:
“Thus it might appear as a friendly accordance that crystals know
nothing of the number five and remain in the forms of the triangles,
squares, and hexagons that resound through their domain. Since they do
not reproduce, they cannot break through their world into the wonder of
the fruit, into the realm of the Mothers. The formal equilibrium, the
static symmetry of crystals, changes in plants and animals to an
inwardly manipulated changeable equilibrium, a “dynamic symmetry,”
whose archetype is the pentagon with its unequal constant division. The
silence of the sea's depths, the eternal night, and the great pressure
of the water weave together thoughts of sacrificial freedom from the
memory of the distant wisdom of the stars, and send their messages as
floating and flying star-pentagons into the higher levels of the world
of light...”
Peter Neubäcker
Image 6